State of the arts: Why are our performers being left behind?


From fire twirlers to poets, Australian creatives have been left behind. Photo: Getty
Trevor Ashley has performed in Hairspray, Les Misérables and Priscilla Queen of the Desert, produced sold-out shows at the Sydney Opera House, and put together national tours for massive Australian stars.
Now, he may have to sell his house to stay financially afloat.
Ashley is just one of the thousands of the arts and entertainment workers across Australia struggling through the coronavirus crisis.
The industry laments theyâre being left behind by a federal government that has splashed cash to save other industries from economic collapse.
Meanwhile, the meagre amount of money reaching the arts sector just isnât enough, artists argue.
Further, the grants allocated arenât reaching those most affected by the coronavirus crisis, and who are ineligible for JobKeeper support.
As one performer puts it, the lack of funding shows the government cares less about the trivia in the pub, date nights at the theatre and burgeoning musicians than putting footy players back on the field.
âFired as soon as theatres were closedâ
The federal government has allocated $27 million to the cultural and creative sector through the Relief and Recovery Fund.
Currently, more than 193,000 arts workers are employed in the arts industry and most are ineligible for JobKeeper.
âItâs not covering anywhere near the number of people that work in this business,â Ashley said.

Ashley at the Midsumma Festival. Photo: Smith & Jones Management
Instead, he argues sport is a much greater priority for the government than the arts.
For example, the Queensland government this week announced $50 million would be repurposed to help families afford to get their children involved in community sports again.
Whereas Live Performance Australia has relentlessly lobbied the government to help pubs, clubs, theatre companies and performers get back on their feet and start entertaining Australians again.
âThey have not come out with any kind of package at all to help us,â Ashley said.
âI have friends who were in long-running musicals and long-running shows that had been employed for over a year.
âThey all got fired the second they closed theatres down (and ) ⊠they didnât get JobKeeper because the companies had to close production before theyâd even come up with JobKeeper.
âIâm a small producer, but I do produce a significant amount of work ⊠I donât know how Iâm going to be able to keep doing that after this is over, and where that money is going to come from because itâs all gone.
âItâs hard to know how to move forward without selling my house.â
âThe arts industry is grievingâ
Melbourne nurse and comedian Zule Khan slammed the government for their âsevere neglectâ of the arts sector, saying there has been an âincredible misunderstandingâ on how the industry generally works.
Sheâs estimated to have lost about $50,000 from cancelling comedy gigs including a show at the Melbourne International Comedy Festival.
âI was set to have the best year as an artist that Iâve ever had,â Khan said.
Now, she has no idea when sheâll be able to get back on stage â and the government isnât helping.

Khan uses her job vaccinating people as material for her comedy. But the future of her gigs is clouded by uncertainty. Photo: 3 Fates Media
âThe arts industry is grieving ⊠because we seem to be the ones that have been left behind.
âIt makes us feel as though weâre not worth the conversation. What that does to your mental health is terribly damaging.â
âTime will tell whether itâs adequateâ
Clive Miller is the chief executive of Support Act, a charity that last week received a $10 million grant from the government to support struggling artists, crew and music workers.
Although theyâre âvery gratefulâ, Mr Miller said only âtime will tell whether itâs adequate or notâ, adding that âthe government is keen for us to expend those funds over the next six monthsâ.

Like most theatres, the Sydney Opera House was forced to close its doors following government restrictions. Photo: Getty
âIf we think that more money is required, we will be alerting the government to that fact,â he said.
He noted that the funding has enabled Support Act to expand access to its free 24/7 phone counselling service, which is being offered to all arts workers including those who work in the music industry.
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