Stephen Alomes: Our Pandemic Zeitgeist, a poetic diary of 2020


Stephen Alomes lived through COVID lockdown in Melbourne, and wrote prose poetry about it. Photo: Stephen Alomes
âWeâre all in this togetherâ, they said, but not quite ⊠It was the year which somehow didnât happen. Or at least, like the diary entries for conferences and events, all was soon forgotten. The year of COVID-19.
I sought to adjust as a writer and an urban walker. Early, a short report for a newsletter going to India explored how we were âall in it together but not quiteâ â supermarket toilet paper wars, the cappuccino curtain separating Victoria from the other side of the Murray and Tasmaniaâs independence declaration â âWeâve got a moat and weâll use itâ.
In poems, I told tales of suburban angst during a global pandemic, from neighbourhood walks and traky dakkies to Zoom life. The everyday microcosm, not the troops and victims in the trenches, the front lines. COVID-19 times impacted on so many of us as the global pandemic has been mirrored by a Paranoid Virus Epidemic. The result is Our Pandemic Zeitgeist.
In March, I asked if âthe world has stopped ⊠or has it?â as my trips were put on hold and a few reports of death confirmed that we now had âA global pandemicâ. âThis mattersâ. By the end of April it seemed that âlife goes on Ob la di Ob la daâ, ânice walks on familiar streets ⊠flowers to enjoyâ complemented at home by âbinge screen watching ⊠and snackingâ.

Escaping from pandemic life, Stephen Alomes explores colour in painting titled âBottlebrush Dreamingâ. Photo: Stephen Alomes
By May there were positives. âYouâre our hero Normâ had become a new refrain as he guided us to a new approach â âCouch Be In It!â. âBewdy Norm! Just keep lying back and enjoying it! Youâve done it for Australiaâ. Positively, it was âBOBâs your uncleâ for baby boomers, the Boring Old Buggers who already lived quiet lives and took precautions, including masks. âSheâll be rightâ they agreed, or hoped. In contrast Millennials âjust wanna have funâ, some seeing the virus as a âBoomer removerâ/ âDonât worry theyâll be gone soonâ.
By June, pandemic life had become a time for rotting, from dirty tees and bare feet to grazing on toasted cheese. Escapes from cabin fever appeared â âTo Zoom or not to Zoom?â That was the question. Others followed. âCostume? Hair? Set and lighting â pot plants ⊠paintings?â Even discreet multi-tasking.
As winter descended anxiety worsened. Coronavirus fears infected psyches as well. An angstodemic was rampant from lives denied. Skins thinned, agitation grew. In July, in Melbourne, grey winter clouds darkened, as corrosive locked-down angst rusted our optimism, despite the brightening call of golden wattle.

âThe Flower and the Passionâ. Photo: Stephen Alomes
In more elevated circles, the âFriendly Principalsâ of the central expert committee proclaimed Rule Number One â âDonât mention the âMâ word: Masks.â âWe know!â they declared, loudly. Soon, however, the CDC, the WHO and Dr Fauci recognised masks centrality.
In spring, was angst giving way to hope? Everyday pleasures could be enjoyed â eating, gardening, even washing, and Zooming could be fun. Emerging sun, magnolia blooming and new roses. Spring is in the air!
Suddenly, the hard lockdown began to bite. It was like a vice, pressing on our chests. Families and friends reduced to faces on a screen. Too hard, too long, too everything. Anomie, lost and stumbling. Wanting something better. As documented in âWFH Working from Homeâ and âOne Day in the Life of Ivan Covidovitch â Nyetâ sameness was hitting â same streets, same pasta, our own Siberia in a cell of fear and habit. Nyet to the virus, nyet to everything.
Brighter moments returned in late September. I was âsitting in the spring sun, on the steps of the garage, thriving like a daisy, my warm friendâ even as others, bored, asked âArenât we there yet?â
October soon, I paused, thinking of the year that had almost gone â âLies my phone calendar told meâ. No call of the MCG for a Grand Final. Nor, faraway, near the Roman ruins of Trier, Germany, a conference on Australian seascapes. Spring grass and sandy beach and breaking salt water, all vanished. Erased, abolished, forgotten â maybe next year.
Even darker, spectres all around us âŠthe threats and the far too many deaths. Our Pandemic Zeitgeist, continuing, without a vaccine in sight. Fear, the orange Trump monster and climate change all threatened. Weltschmerz everywhere, a world wound.
I looked beyond that global melancholy. Dreaming from an earlier month, nearby âTulips from Kensingtonâ called. An escape from the viral flowers of Covid-19. âColours which free the mind and lift the spirit. I need them.â
Letâs hope thereâs no 2021 sequel.
Stephen Alomes (RMIT University) drawing on his prose poetry diary, Our Pandemic Zeitgeist, Ginninderra Press, 2020
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